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title In the Shadow of the French Revolution : Theatre Life of Venice according to Marco Foscari
title_unstemmed In the Shadow of the French Revolution : Theatre Life of Venice according to Marco Foscari
title_full In the Shadow of the French Revolution : Theatre Life of Venice according to Marco Foscari
title_fullStr In the Shadow of the French Revolution : Theatre Life of Venice according to Marco Foscari
title_full_unstemmed In the Shadow of the French Revolution : Theatre Life of Venice according to Marco Foscari
title_short In the Shadow of the French Revolution : Theatre Life of Venice according to Marco Foscari
title_sort in the shadow of the french revolution : theatre life of venice according to marco foscari
topic Music
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description <jats:p>This paper was primarily based on correspondence of Marco Foscari IV, member of respectable patrician family who served from 1789 to 1792 as Captain Raspa of a small fortress in Istria. His correspondence with close friends discloses opportunities in Venice, as well as events related to its nightlife in which the theatre, along with opera, played the dominant role. Its focus is research on influence of French Revolution on Venetian theatre and opera. In search for micro level of analysis, authors put their focus on local perspective on French-Italian relations, and their influence on opera. Therefore, authors singled out one interesting event which sparked great public attention in Venice – debates and process of the construction of a new theatre in the San Fantino, sestiere de San Marco, theatre La Fenice. At the time of prohibition of the public and private gatherings, in early 1790s, in this paper authors analysed position of opera.</jats:p>
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author Kocić, Marija, Vasiljević, Maja
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spelling Kocić, Marija Vasiljević, Maja 2350-4242 0580-373X University of Ljubljana Music http://dx.doi.org/10.4312/mz.55.1.97-110 <jats:p>This paper was primarily based on correspondence of Marco Foscari IV, member of respectable patrician family who served from 1789 to 1792 as Captain Raspa of a small fortress in Istria. His correspondence with close friends discloses opportunities in Venice, as well as events related to its nightlife in which the theatre, along with opera, played the dominant role. Its focus is research on influence of French Revolution on Venetian theatre and opera. In search for micro level of analysis, authors put their focus on local perspective on French-Italian relations, and their influence on opera. Therefore, authors singled out one interesting event which sparked great public attention in Venice – debates and process of the construction of a new theatre in the San Fantino, sestiere de San Marco, theatre La Fenice. At the time of prohibition of the public and private gatherings, in early 1790s, in this paper authors analysed position of opera.</jats:p> Theatre Life of Venice according to Marco Foscari In the Shadow of the French Revolution : Theatre Life of Venice according to Marco Foscari Musicological Annual
spellingShingle Kocić, Marija, Vasiljević, Maja, Musicological Annual, In the Shadow of the French Revolution : Theatre Life of Venice according to Marco Foscari, Music
title In the Shadow of the French Revolution : Theatre Life of Venice according to Marco Foscari
title_full In the Shadow of the French Revolution : Theatre Life of Venice according to Marco Foscari
title_fullStr In the Shadow of the French Revolution : Theatre Life of Venice according to Marco Foscari
title_full_unstemmed In the Shadow of the French Revolution : Theatre Life of Venice according to Marco Foscari
title_short In the Shadow of the French Revolution : Theatre Life of Venice according to Marco Foscari
title_sort in the shadow of the french revolution : theatre life of venice according to marco foscari
title_sub Theatre Life of Venice according to Marco Foscari
title_unstemmed In the Shadow of the French Revolution : Theatre Life of Venice according to Marco Foscari
topic Music
url http://dx.doi.org/10.4312/mz.55.1.97-110