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Musicological Annual
The Musical Language in Messiaen’s Catalogue d’oiseaux : “La Chouette hulotte”
Music
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spelling Fung Chiat, Loo Fung Ying, Loo 2350-4242 0580-373X University of Ljubljana Music http://dx.doi.org/10.4312/mz.55.1.131-156 <jats:p>This paper presents an analysis of Olivier Messiaen’s ‘La Chouette hulotte’ from Catalogue d’oiseaux. The significance of this work lies in the representation of fear by the owls and ‘night’ music. Messiaen’s language of mode de valeurs representing the ‘night’ and the harmonic language of the tawny owl’s calls identifies Messiaen’s music.</jats:p> “La Chouette hulotte” The Musical Language in Messiaen’s Catalogue d’oiseaux : “La Chouette hulotte” Musicological Annual
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title_sub “La Chouette hulotte”
title The Musical Language in Messiaen’s Catalogue d’oiseaux : “La Chouette hulotte”
title_unstemmed The Musical Language in Messiaen’s Catalogue d’oiseaux : “La Chouette hulotte”
title_full The Musical Language in Messiaen’s Catalogue d’oiseaux : “La Chouette hulotte”
title_fullStr The Musical Language in Messiaen’s Catalogue d’oiseaux : “La Chouette hulotte”
title_full_unstemmed The Musical Language in Messiaen’s Catalogue d’oiseaux : “La Chouette hulotte”
title_short The Musical Language in Messiaen’s Catalogue d’oiseaux : “La Chouette hulotte”
title_sort the musical language in messiaen’s catalogue d’oiseaux : “la chouette hulotte”
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description <jats:p>This paper presents an analysis of Olivier Messiaen’s ‘La Chouette hulotte’ from Catalogue d’oiseaux. The significance of this work lies in the representation of fear by the owls and ‘night’ music. Messiaen’s language of mode de valeurs representing the ‘night’ and the harmonic language of the tawny owl’s calls identifies Messiaen’s music.</jats:p>
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author Fung Chiat, Loo, Fung Ying, Loo
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description <jats:p>This paper presents an analysis of Olivier Messiaen’s ‘La Chouette hulotte’ from Catalogue d’oiseaux. The significance of this work lies in the representation of fear by the owls and ‘night’ music. Messiaen’s language of mode de valeurs representing the ‘night’ and the harmonic language of the tawny owl’s calls identifies Messiaen’s music.</jats:p>
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spelling Fung Chiat, Loo Fung Ying, Loo 2350-4242 0580-373X University of Ljubljana Music http://dx.doi.org/10.4312/mz.55.1.131-156 <jats:p>This paper presents an analysis of Olivier Messiaen’s ‘La Chouette hulotte’ from Catalogue d’oiseaux. The significance of this work lies in the representation of fear by the owls and ‘night’ music. Messiaen’s language of mode de valeurs representing the ‘night’ and the harmonic language of the tawny owl’s calls identifies Messiaen’s music.</jats:p> “La Chouette hulotte” The Musical Language in Messiaen’s Catalogue d’oiseaux : “La Chouette hulotte” Musicological Annual
spellingShingle Fung Chiat, Loo, Fung Ying, Loo, Musicological Annual, The Musical Language in Messiaen’s Catalogue d’oiseaux : “La Chouette hulotte”, Music
title The Musical Language in Messiaen’s Catalogue d’oiseaux : “La Chouette hulotte”
title_full The Musical Language in Messiaen’s Catalogue d’oiseaux : “La Chouette hulotte”
title_fullStr The Musical Language in Messiaen’s Catalogue d’oiseaux : “La Chouette hulotte”
title_full_unstemmed The Musical Language in Messiaen’s Catalogue d’oiseaux : “La Chouette hulotte”
title_short The Musical Language in Messiaen’s Catalogue d’oiseaux : “La Chouette hulotte”
title_sort the musical language in messiaen’s catalogue d’oiseaux : “la chouette hulotte”
title_sub “La Chouette hulotte”
title_unstemmed The Musical Language in Messiaen’s Catalogue d’oiseaux : “La Chouette hulotte”
topic Music
url http://dx.doi.org/10.4312/mz.55.1.131-156