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Eye on the Street
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| Zeitschriftentitel: | Radical History Review |
|---|---|
| Personen und Körperschaften: | |
| In: | Radical History Review, 2012, 2012, 114, S. 7-18 |
| Format: | E-Article |
| Sprache: | Englisch |
| veröffentlicht: |
Duke University Press
|
| Schlagwörter: |
| author_facet |
Tucker, Jennifer Tucker, Jennifer |
|---|---|
| author |
Tucker, Jennifer |
| spellingShingle |
Tucker, Jennifer Radical History Review Eye on the Street History |
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tucker, jennifer |
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Tucker, Jennifer 0163-6545 1534-1453 Duke University Press History http://dx.doi.org/10.1215/01636545-1597979 <jats:p>Some of the most powerful historical images of streets and the people traversing them have been served up by photographers. Public urban spaces are not merely subject matter for photography, however, since photographers themselves are actively engaged in navigating city streets fraught with politics and social meaning. This essay reflects on a few of these urban practices and spaces of photography and identifies some enduring themes through this history, from the technical challenges of depicting humans passing through static structures and built environments of the city to conflicts over access and surveillance. An exploration of the many different appropriations of public spaces for photography shows that walking in city streets has not only been a central subject for fine art photography; it also has been one of its primary historical conditions.</jats:p> Eye on the Street Radical History Review |
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Duke University Press, 2012 |
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Eye on the Street |
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eye on the street |
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History |
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http://dx.doi.org/10.1215/01636545-1597979 |
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2012 |
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7-18 |
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<jats:p>Some of the most powerful historical images of streets and the people traversing them have been served up by photographers. Public urban spaces are not merely subject matter for photography, however, since photographers themselves are actively engaged in navigating city streets fraught with politics and social meaning. This essay reflects on a few of these urban practices and spaces of photography and identifies some enduring themes through this history, from the technical challenges of depicting humans passing through static structures and built environments of the city to conflicts over access and surveillance. An exploration of the many different appropriations of public spaces for photography shows that walking in city streets has not only been a central subject for fine art photography; it also has been one of its primary historical conditions.</jats:p> |
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| description | <jats:p>Some of the most powerful historical images of streets and the people traversing them have been served up by photographers. Public urban spaces are not merely subject matter for photography, however, since photographers themselves are actively engaged in navigating city streets fraught with politics and social meaning. This essay reflects on a few of these urban practices and spaces of photography and identifies some enduring themes through this history, from the technical challenges of depicting humans passing through static structures and built environments of the city to conflicts over access and surveillance. An exploration of the many different appropriations of public spaces for photography shows that walking in city streets has not only been a central subject for fine art photography; it also has been one of its primary historical conditions.</jats:p> |
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| spelling | Tucker, Jennifer 0163-6545 1534-1453 Duke University Press History http://dx.doi.org/10.1215/01636545-1597979 <jats:p>Some of the most powerful historical images of streets and the people traversing them have been served up by photographers. Public urban spaces are not merely subject matter for photography, however, since photographers themselves are actively engaged in navigating city streets fraught with politics and social meaning. This essay reflects on a few of these urban practices and spaces of photography and identifies some enduring themes through this history, from the technical challenges of depicting humans passing through static structures and built environments of the city to conflicts over access and surveillance. An exploration of the many different appropriations of public spaces for photography shows that walking in city streets has not only been a central subject for fine art photography; it also has been one of its primary historical conditions.</jats:p> Eye on the Street Radical History Review |
| spellingShingle | Tucker, Jennifer, Radical History Review, Eye on the Street, History |
| title | Eye on the Street |
| title_full | Eye on the Street |
| title_fullStr | Eye on the Street |
| title_full_unstemmed | Eye on the Street |
| title_short | Eye on the Street |
| title_sort | eye on the street |
| title_unstemmed | Eye on the Street |
| topic | History |
| url | http://dx.doi.org/10.1215/01636545-1597979 |