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Music‐evoked emotions: principles, brain correlates, and implications for therapy
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| Zeitschriftentitel: | Annals of the New York Academy of Sciences |
|---|---|
| Personen und Körperschaften: | |
| In: | Annals of the New York Academy of Sciences, 1337, 2015, 1, S. 193-201 |
| Format: | E-Article |
| Sprache: | Englisch |
| veröffentlicht: |
Wiley
|
| Schlagwörter: |
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Koelsch, Stefan Koelsch, Stefan |
|---|---|
| author |
Koelsch, Stefan |
| spellingShingle |
Koelsch, Stefan Annals of the New York Academy of Sciences Music‐evoked emotions: principles, brain correlates, and implications for therapy History and Philosophy of Science General Biochemistry, Genetics and Molecular Biology General Neuroscience |
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koelsch, stefan |
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Koelsch, Stefan 0077-8923 1749-6632 Wiley History and Philosophy of Science General Biochemistry, Genetics and Molecular Biology General Neuroscience http://dx.doi.org/10.1111/nyas.12684 <jats:p>This paper describes principles underlying the evocation of emotion with music: evaluation, resonance, memory, expectancy/tension, imagination, understanding, and social functions. Each of these principles includes several subprinciples, and the framework on music‐evoked emotions emerging from these principles and subprinciples is supposed to provide a starting point for a systematic, coherent, and comprehensive theory on music‐evoked emotions that considers both reception and production of music, as well as the relevance of emotion‐evoking principles for music therapy.</jats:p> Music‐evoked emotions: principles, brain correlates, and implications for therapy Annals of the New York Academy of Sciences |
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Music‐evoked emotions: principles, brain correlates, and implications for therapy |
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Music‐evoked emotions: principles, brain correlates, and implications for therapy |
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Music‐evoked emotions: principles, brain correlates, and implications for therapy |
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Music‐evoked emotions: principles, brain correlates, and implications for therapy |
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Music‐evoked emotions: principles, brain correlates, and implications for therapy |
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Music‐evoked emotions: principles, brain correlates, and implications for therapy |
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music‐evoked emotions: principles, brain correlates, and implications for therapy |
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History and Philosophy of Science General Biochemistry, Genetics and Molecular Biology General Neuroscience |
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http://dx.doi.org/10.1111/nyas.12684 |
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2015 |
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193-201 |
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<jats:p>This paper describes principles underlying the evocation of emotion with music: evaluation, resonance, memory, expectancy/tension, imagination, understanding, and social functions. Each of these principles includes several subprinciples, and the framework on music‐evoked emotions emerging from these principles and subprinciples is supposed to provide a starting point for a systematic, coherent, and comprehensive theory on music‐evoked emotions that considers both reception and production of music, as well as the relevance of emotion‐evoking principles for music therapy.</jats:p> |
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| description | <jats:p>This paper describes principles underlying the evocation of emotion with music: evaluation, resonance, memory, expectancy/tension, imagination, understanding, and social functions. Each of these principles includes several subprinciples, and the framework on music‐evoked emotions emerging from these principles and subprinciples is supposed to provide a starting point for a systematic, coherent, and comprehensive theory on music‐evoked emotions that considers both reception and production of music, as well as the relevance of emotion‐evoking principles for music therapy.</jats:p> |
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| spelling | Koelsch, Stefan 0077-8923 1749-6632 Wiley History and Philosophy of Science General Biochemistry, Genetics and Molecular Biology General Neuroscience http://dx.doi.org/10.1111/nyas.12684 <jats:p>This paper describes principles underlying the evocation of emotion with music: evaluation, resonance, memory, expectancy/tension, imagination, understanding, and social functions. Each of these principles includes several subprinciples, and the framework on music‐evoked emotions emerging from these principles and subprinciples is supposed to provide a starting point for a systematic, coherent, and comprehensive theory on music‐evoked emotions that considers both reception and production of music, as well as the relevance of emotion‐evoking principles for music therapy.</jats:p> Music‐evoked emotions: principles, brain correlates, and implications for therapy Annals of the New York Academy of Sciences |
| spellingShingle | Koelsch, Stefan, Annals of the New York Academy of Sciences, Music‐evoked emotions: principles, brain correlates, and implications for therapy, History and Philosophy of Science, General Biochemistry, Genetics and Molecular Biology, General Neuroscience |
| title | Music‐evoked emotions: principles, brain correlates, and implications for therapy |
| title_full | Music‐evoked emotions: principles, brain correlates, and implications for therapy |
| title_fullStr | Music‐evoked emotions: principles, brain correlates, and implications for therapy |
| title_full_unstemmed | Music‐evoked emotions: principles, brain correlates, and implications for therapy |
| title_short | Music‐evoked emotions: principles, brain correlates, and implications for therapy |
| title_sort | music‐evoked emotions: principles, brain correlates, and implications for therapy |
| title_unstemmed | Music‐evoked emotions: principles, brain correlates, and implications for therapy |
| topic | History and Philosophy of Science, General Biochemistry, Genetics and Molecular Biology, General Neuroscience |
| url | http://dx.doi.org/10.1111/nyas.12684 |