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East European Politics and Societies: and Cultures
Ismail Kadaré's The Shadow Literature, Dissidence, and Albanian Identity
Sociology and Political Science
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spelling Morgan, Peter 0888-3254 1533-8371 SAGE Publications Sociology and Political Science http://dx.doi.org/10.1177/0888325408315769 <jats:p> In the article, Ismail Kadaré's 1986 novel, The Shadow, is analysed as a form of apologia pro vita sua about the deformations of life under a dictatorial regime. This interpretation demonstrates that Kadaré was a dissident in his own terms during the reign of the dictatorial regime and that this type of opposition was something different from the political and ideological critique of post-totalitarianism. Throughout his work, Kadaré has suggested the existence of an alternative Albania to that of the regime, intimating that the historical roots of his nation can give birth to different versions of Albanian identity to that propagated by the Albanian Party of Labour. Using the figure of the legendary Albanian hero, Konstantine, in The Shadow, The Twilight of the Steppe Gods, and elsewhere in his oeuvre, Kadaré links the contemporary problematics of dissidence and existential authenticity under the dictatorship to historical patterns of Albanian culture and individual existence. </jats:p> Ismail Kadaré's The Shadow Literature, Dissidence, and Albanian Identity East European Politics and Societies: and Cultures
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title Ismail Kadaré's The Shadow Literature, Dissidence, and Albanian Identity
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title_full Ismail Kadaré's The Shadow Literature, Dissidence, and Albanian Identity
title_fullStr Ismail Kadaré's The Shadow Literature, Dissidence, and Albanian Identity
title_full_unstemmed Ismail Kadaré's The Shadow Literature, Dissidence, and Albanian Identity
title_short Ismail Kadaré's The Shadow Literature, Dissidence, and Albanian Identity
title_sort ismail kadaré's the shadow literature, dissidence, and albanian identity
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description <jats:p> In the article, Ismail Kadaré's 1986 novel, The Shadow, is analysed as a form of apologia pro vita sua about the deformations of life under a dictatorial regime. This interpretation demonstrates that Kadaré was a dissident in his own terms during the reign of the dictatorial regime and that this type of opposition was something different from the political and ideological critique of post-totalitarianism. Throughout his work, Kadaré has suggested the existence of an alternative Albania to that of the regime, intimating that the historical roots of his nation can give birth to different versions of Albanian identity to that propagated by the Albanian Party of Labour. Using the figure of the legendary Albanian hero, Konstantine, in The Shadow, The Twilight of the Steppe Gods, and elsewhere in his oeuvre, Kadaré links the contemporary problematics of dissidence and existential authenticity under the dictatorship to historical patterns of Albanian culture and individual existence. </jats:p>
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description <jats:p> In the article, Ismail Kadaré's 1986 novel, The Shadow, is analysed as a form of apologia pro vita sua about the deformations of life under a dictatorial regime. This interpretation demonstrates that Kadaré was a dissident in his own terms during the reign of the dictatorial regime and that this type of opposition was something different from the political and ideological critique of post-totalitarianism. Throughout his work, Kadaré has suggested the existence of an alternative Albania to that of the regime, intimating that the historical roots of his nation can give birth to different versions of Albanian identity to that propagated by the Albanian Party of Labour. Using the figure of the legendary Albanian hero, Konstantine, in The Shadow, The Twilight of the Steppe Gods, and elsewhere in his oeuvre, Kadaré links the contemporary problematics of dissidence and existential authenticity under the dictatorship to historical patterns of Albanian culture and individual existence. </jats:p>
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spelling Morgan, Peter 0888-3254 1533-8371 SAGE Publications Sociology and Political Science http://dx.doi.org/10.1177/0888325408315769 <jats:p> In the article, Ismail Kadaré's 1986 novel, The Shadow, is analysed as a form of apologia pro vita sua about the deformations of life under a dictatorial regime. This interpretation demonstrates that Kadaré was a dissident in his own terms during the reign of the dictatorial regime and that this type of opposition was something different from the political and ideological critique of post-totalitarianism. Throughout his work, Kadaré has suggested the existence of an alternative Albania to that of the regime, intimating that the historical roots of his nation can give birth to different versions of Albanian identity to that propagated by the Albanian Party of Labour. Using the figure of the legendary Albanian hero, Konstantine, in The Shadow, The Twilight of the Steppe Gods, and elsewhere in his oeuvre, Kadaré links the contemporary problematics of dissidence and existential authenticity under the dictatorship to historical patterns of Albanian culture and individual existence. </jats:p> Ismail Kadaré's The Shadow Literature, Dissidence, and Albanian Identity East European Politics and Societies: and Cultures
spellingShingle Morgan, Peter, East European Politics and Societies: and Cultures, Ismail Kadaré's The Shadow Literature, Dissidence, and Albanian Identity, Sociology and Political Science
title Ismail Kadaré's The Shadow Literature, Dissidence, and Albanian Identity
title_full Ismail Kadaré's The Shadow Literature, Dissidence, and Albanian Identity
title_fullStr Ismail Kadaré's The Shadow Literature, Dissidence, and Albanian Identity
title_full_unstemmed Ismail Kadaré's The Shadow Literature, Dissidence, and Albanian Identity
title_short Ismail Kadaré's The Shadow Literature, Dissidence, and Albanian Identity
title_sort ismail kadaré's the shadow literature, dissidence, and albanian identity
title_unstemmed Ismail Kadaré's The Shadow Literature, Dissidence, and Albanian Identity
topic Sociology and Political Science
url http://dx.doi.org/10.1177/0888325408315769