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On the Artistic Situation of the Contemporary Czech Theatre (1945)
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| Zeitschriftentitel: | Theatre Survey |
|---|---|
| Personen und Körperschaften: | |
| In: | Theatre Survey, 36, 1995, 1, S. 65-75 |
| Format: | E-Article |
| Sprache: | Englisch |
| veröffentlicht: |
Cambridge University Press (CUP)
|
| Schlagwörter: |
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Mukařovský, Jan Mukařovský, Jan |
|---|---|
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Mukařovský, Jan |
| spellingShingle |
Mukařovský, Jan Theatre Survey On the Artistic Situation of the Contemporary Czech Theatre (1945) Visual Arts and Performing Arts |
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mukařovský, jan |
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Mukařovský, Jan 0040-5574 1475-4533 Cambridge University Press (CUP) Visual Arts and Performing Arts http://dx.doi.org/10.1017/s0040557400006499 <jats:p>The world storm, which has now passed, left its marks on all areas of artistic creation. Everywhere that Fascism reached, it disturbed the internal coherence of things, and their respective relationships, in order to create a formless, passive mixture, incapable of initiative. As far as art is concerned, Fascism has proclaimed the slogan of perverse art, and declared a struggle of annihilation against such art. In praxis, however, the particular artistic methods that had been created—through the modern art that was blacklisted—remained intact, because those methods did not create a system, or express a particular artistic desire, through which an intentional artistic will could have created a gap in the totality of violence. It is natural that this state of affairs endangered not only the cohesion of the internal elements of the artistic structure, but also the consistency of the functional organization of persons and institutions serving the art. The artistic schools and movements disappeared, or were at the very least disrupted. The affiliations of creative artists with distinct associations and societies became in many instances more a matter of external circumstances than of artistic decision.</jats:p> On the Artistic Situation of the Contemporary Czech Theatre (1945) Theatre Survey |
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On the Artistic Situation of the Contemporary Czech Theatre (1945) |
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On the Artistic Situation of the Contemporary Czech Theatre (1945) |
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On the Artistic Situation of the Contemporary Czech Theatre (1945) |
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On the Artistic Situation of the Contemporary Czech Theatre (1945) |
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on the artistic situation of the contemporary czech theatre (1945) |
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Visual Arts and Performing Arts |
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<jats:p>The world storm, which has now passed, left its marks on all areas of artistic creation. Everywhere that Fascism reached, it disturbed the internal coherence of things, and their respective relationships, in order to create a formless, passive mixture, incapable of initiative. As far as art is concerned, Fascism has proclaimed the slogan of perverse art, and declared a struggle of annihilation against such art. In praxis, however, the particular artistic methods that had been created—through the modern art that was blacklisted—remained intact, because those methods did not create a system, or express a particular artistic desire, through which an intentional artistic will could have created a gap in the totality of violence. It is natural that this state of affairs endangered not only the cohesion of the internal elements of the artistic structure, but also the consistency of the functional organization of persons and institutions serving the art. The artistic schools and movements disappeared, or were at the very least disrupted. The affiliations of creative artists with distinct associations and societies became in many instances more a matter of external circumstances than of artistic decision.</jats:p> |
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| description | <jats:p>The world storm, which has now passed, left its marks on all areas of artistic creation. Everywhere that Fascism reached, it disturbed the internal coherence of things, and their respective relationships, in order to create a formless, passive mixture, incapable of initiative. As far as art is concerned, Fascism has proclaimed the slogan of perverse art, and declared a struggle of annihilation against such art. In praxis, however, the particular artistic methods that had been created—through the modern art that was blacklisted—remained intact, because those methods did not create a system, or express a particular artistic desire, through which an intentional artistic will could have created a gap in the totality of violence. It is natural that this state of affairs endangered not only the cohesion of the internal elements of the artistic structure, but also the consistency of the functional organization of persons and institutions serving the art. The artistic schools and movements disappeared, or were at the very least disrupted. The affiliations of creative artists with distinct associations and societies became in many instances more a matter of external circumstances than of artistic decision.</jats:p> |
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| spelling | Mukařovský, Jan 0040-5574 1475-4533 Cambridge University Press (CUP) Visual Arts and Performing Arts http://dx.doi.org/10.1017/s0040557400006499 <jats:p>The world storm, which has now passed, left its marks on all areas of artistic creation. Everywhere that Fascism reached, it disturbed the internal coherence of things, and their respective relationships, in order to create a formless, passive mixture, incapable of initiative. As far as art is concerned, Fascism has proclaimed the slogan of perverse art, and declared a struggle of annihilation against such art. In praxis, however, the particular artistic methods that had been created—through the modern art that was blacklisted—remained intact, because those methods did not create a system, or express a particular artistic desire, through which an intentional artistic will could have created a gap in the totality of violence. It is natural that this state of affairs endangered not only the cohesion of the internal elements of the artistic structure, but also the consistency of the functional organization of persons and institutions serving the art. The artistic schools and movements disappeared, or were at the very least disrupted. The affiliations of creative artists with distinct associations and societies became in many instances more a matter of external circumstances than of artistic decision.</jats:p> On the Artistic Situation of the Contemporary Czech Theatre (1945) Theatre Survey |
| spellingShingle | Mukařovský, Jan, Theatre Survey, On the Artistic Situation of the Contemporary Czech Theatre (1945), Visual Arts and Performing Arts |
| title | On the Artistic Situation of the Contemporary Czech Theatre (1945) |
| title_full | On the Artistic Situation of the Contemporary Czech Theatre (1945) |
| title_fullStr | On the Artistic Situation of the Contemporary Czech Theatre (1945) |
| title_full_unstemmed | On the Artistic Situation of the Contemporary Czech Theatre (1945) |
| title_short | On the Artistic Situation of the Contemporary Czech Theatre (1945) |
| title_sort | on the artistic situation of the contemporary czech theatre (1945) |
| title_unstemmed | On the Artistic Situation of the Contemporary Czech Theatre (1945) |
| topic | Visual Arts and Performing Arts |
| url | http://dx.doi.org/10.1017/s0040557400006499 |