|
|
|
|
| LEADER |
05680cam a2201141 4500 |
| 001 |
0-870428365 |
| 003 |
DE-627 |
| 005 |
20220227061034.0 |
| 007 |
tu |
| 008 |
161019s2016 xxk||||| 00| ||eng c |
| 020 |
|
|
|a 0500239495
|c : hardback
|9 0-500-23949-5
|
| 020 |
|
|
|a 9780500239490
|c : hardback
|9 978-0-500-23949-0
|
| 035 |
|
|
|a (DE-627)870428365
|
| 035 |
|
|
|a (DE-576)478303297
|
| 035 |
|
|
|a (DE-599)GBV870428365
|
| 035 |
|
|
|a (OCoLC)962104086
|
| 040 |
|
|
|a DE-627
|b eng
|c DE-627
|e rda
|
| 041 |
|
|
|a eng
|
| 044 |
|
|
|c XA-GB
|
| 050 |
|
0 |
|a ND50
|
| 082 |
0 |
|
|a 759
|2 23
|
| 084 |
|
|
|a 9,11
|2 ssgn
|
| 084 |
|
|
|a 9,11
|a 9,10
|2 ssgn
|
| 084 |
|
|
|a LH 70000
|2 rvk
|0 (DE-625)rvk/94788:
|
| 084 |
|
|
|a 21.02
|2 bkl
|
| 084 |
|
|
|a 21.42
|2 bkl
|
| 100 |
1 |
|
|a Hockney, David
|d 1937-
|e VerfasserIn
|0 (DE-588)118551760
|0 (DE-627)079349587
|0 (DE-576)161443648
|4 aut
|
| 245 |
1 |
2 |
|a A history of pictures
|b from the cave to the computer screen
|c David Hockney and Martin Gayford
|
| 264 |
|
1 |
|a London
|b Thames & Hudson
|c 2016
|
| 300 |
|
|
|a 360 Seiten
|b Illustrationen
|c 29 cm
|
| 336 |
|
|
|a Text
|b txt
|2 rdacontent
|
| 336 |
|
|
|a unbewegtes Bild
|b sti
|2 rdacontent
|
| 337 |
|
|
|a ohne Hilfsmittel zu benutzen
|b n
|2 rdamedia
|
| 338 |
|
|
|a Band
|b nc
|2 rdacarrier
|
| 500 |
|
|
|a Includes bibliographical references and index
|
| 520 |
|
|
|a The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. Two-thirds of it is irrevocably lost, since the earliest images known to us are from about 40,000 years ago. But what a 40,000 years, explored here by David Hockney and Martin Gayford in a brilliantly original book. They privilege no medium, or period, or style, but instead, in 16 chapters, discuss how and why pictures have been made, and insistently link 'art' to human skills and human needs. Each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the 'Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Why are optical projections always going to be more beautiful than HD television can ever be? How have the makers of images depicted movement? What makes marks on a flat surface interesting? Energized by two lifetimes of looking at pictures, combined with a great artist's 70-year experience of experimentation as he makes them, this profoundly moving and enlightening volume will be the art book of the decade
|
| 520 |
|
|
|a Introduction: Pictures, Art and History -- Pictures and Reality -- Making Marks -- Shadows and Deception -- Picturing Time and Space -- Brunelleschi's Mirror and Alberti's window -- Mirrors and Reflections -- Renaissance: Naturalism and Idealism -- Paper, Paint and Multiplying Pictures -- Painting the Stage and Staging Pictures -- Caravaggio and the Academy of the Lynx-Eyed -- Vermeer and Rembrandt: the Hand, the Lens and the Heart -- Truth and Beauty in the Age of Reason -- The Camera Before and After 1839 -- Photography, Truth and Painting -- Painting with and without Photography -- Snapshots and Moving Pictures -- Movies and Stills -- The Unending History of Pictures
|
| 650 |
|
0 |
|a Painting
|x History
|
| 650 |
|
0 |
|a Photography, Artistic
|x History
|
| 650 |
|
0 |
|a Painting
|x History
|
| 650 |
|
0 |
|a Photography, Artistic
|x History
|
| 650 |
|
4 |
|a Painting
|
| 650 |
|
4 |
|a Photography, Artistic
|
| 689 |
0 |
0 |
|d s
|0 (DE-588)4037220-0
|0 (DE-627)10623871X
|0 (DE-576)209022892
|a Malerei
|2 gnd
|
| 689 |
0 |
1 |
|d s
|0 (DE-588)4045895-7
|0 (DE-627)104434880
|0 (DE-576)209067160
|a Fotografie
|2 gnd
|
| 689 |
0 |
2 |
|a z
|2 gnd
|a Geschichte Anfänge-2014
|
| 689 |
0 |
|
|5 (DE-627)
|
| 700 |
1 |
|
|a Gayford, Martin
|d 1952-
|e VerfasserIn
|0 (DE-588)138215146
|0 (DE-627)600302288
|0 (DE-576)174109679
|4 aut
|
| 856 |
4 |
2 |
|u https://swbplus.bsz-bw.de/bsz478303297inh.htm
|m B:DE-576;DE-14
|q application/pdf
|v 20161107125301
|x Verlag
|3 Inhaltsverzeichnis
|
| 935 |
|
|
|i Blocktest
|
| 936 |
r |
v |
|a LH 70000
|b Allgemeine geschichtliche Darstellungen
|k Allgemeines. Allgemeine Kunstgeschichte
|k Kunstgeschichte einzelner Gattungen der Kunst
|k Malerei
|k Allgemeine geschichtliche Darstellungen
|0 (DE-627)1271107163
|0 (DE-625)rvk/94788:
|0 (DE-576)201107163
|
| 936 |
b |
k |
|a 21.02
|j Geschichte der Malerei
|0 (DE-627)106406698
|
| 936 |
b |
k |
|a 21.42
|j Geschichte der Photographie
|0 (DE-627)106405713
|
| 951 |
|
|
|a BO
|
| 900 |
|
|
|a Hockney, D.
|
| 900 |
|
|
|a Gayford, Martin Christopher
|
| 950 |
|
|
|a Photographie
|
| 950 |
|
|
|a Aufnahme
|
| 950 |
|
|
|a Foto
|
| 950 |
|
|
|a Fotografieren
|
| 950 |
|
|
|a Photographieren
|
| 950 |
|
|
|a Fotographieren
|
| 950 |
|
|
|a Photografieren
|
| 950 |
|
|
|a Photo
|
| 950 |
|
|
|a Photoaufnahme
|
| 950 |
|
|
|a Fotoaufnahme
|
| 950 |
|
|
|a Photokunst
|
| 950 |
|
|
|a Fotokunst
|
| 950 |
|
|
|a Fotographie
|
| 950 |
|
|
|a Photografie
|
| 950 |
|
|
|a Lichtbild
|
| 950 |
|
|
|a Photographische Aufnahme
|
| 950 |
|
|
|a Fotografische Aufnahme
|
| 950 |
|
|
|a Fotographische Aufnahme
|
| 950 |
|
|
|a Photografische Aufnahme
|
| 950 |
|
|
|a Digitale Fotografie
|
| 950 |
|
|
|a Fototechnik
|
| 950 |
|
|
|a Fotografisches Verfahren
|
| 950 |
|
|
|a 摄影
|
| 950 |
|
|
|a 攝影
|
| 950 |
|
|
|a Фотография
|
| 950 |
|
|
|a Holztafelmalerei
|
| 950 |
|
|
|a Tafelbild
|
| 950 |
|
|
|a Tafelmalerei
|
| 950 |
|
|
|a Gemälde
|
| 950 |
|
|
|a Malen
|
| 950 |
|
|
|a Kunstgattung
|
| 950 |
|
|
|a 图画
|
| 950 |
|
|
|a 绘画
|
| 950 |
|
|
|a 圖畫
|
| 950 |
|
|
|a 繪畫
|
| 950 |
|
|
|a Живопись
|
| 951 |
|
|
|b XA-GB
|
| 951 |
|
|
|b XD-US
|
| 852 |
|
|
|a FID-MEDIEN-DE-15
|
| 852 |
|
|
|a DE-14
|x epn:3238593293
|z 2016-10-18T07:55:05Z
|
| 852 |
|
|
|a DE-Zi4
|x epn:3238593617
|z 2017-06-13T11:30:15Z
|
| 980 |
|
|
|a 870428365
|b 0
|k 870428365
|o 478303297
|
SOLR
| _version_ |
1795384150063054848 |
| author |
Hockney, David, Gayford, Martin |
| author_facet |
Hockney, David, Gayford, Martin |
| author_role |
aut, aut |
| author_sort |
Hockney, David 1937- |
| author_variant |
d h dh, m g mg |
| barcode_dezi4 |
03202562, 03202579, 03202586 |
| branch_dezi4 |
Görlitz |
| building |
(DE-Zi4)FHGR |
| callnumber-first |
N - Fine Arts |
| callnumber-label |
ND50 |
| callnumber-raw |
ND50 |
| callnumber-search |
ND50 |
| callnumber-sort |
ND 250 |
| callnumber-subject |
ND - Painting |
| callnumber_dezi4 |
LH 70000 H685, LH 70000 H685+2, LH 70000 H685+3 |
| collcode_dezi4 |
Freihand |
| contents |
The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. Two-thirds of it is irrevocably lost, since the earliest images known to us are from about 40,000 years ago. But what a 40,000 years, explored here by David Hockney and Martin Gayford in a brilliantly original book. They privilege no medium, or period, or style, but instead, in 16 chapters, discuss how and why pictures have been made, and insistently link 'art' to human skills and human needs. Each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the 'Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Why are optical projections always going to be more beautiful than HD television can ever be? How have the makers of images depicted movement? What makes marks on a flat surface interesting? Energized by two lifetimes of looking at pictures, combined with a great artist's 70-year experience of experimentation as he makes them, this profoundly moving and enlightening volume will be the art book of the decade, Introduction: Pictures, Art and History -- Pictures and Reality -- Making Marks -- Shadows and Deception -- Picturing Time and Space -- Brunelleschi's Mirror and Alberti's window -- Mirrors and Reflections -- Renaissance: Naturalism and Idealism -- Paper, Paint and Multiplying Pictures -- Painting the Stage and Staging Pictures -- Caravaggio and the Academy of the Lynx-Eyed -- Vermeer and Rembrandt: the Hand, the Lens and the Heart -- Truth and Beauty in the Age of Reason -- The Camera Before and After 1839 -- Photography, Truth and Painting -- Painting with and without Photography -- Snapshots and Moving Pictures -- Movies and Stills -- The Unending History of Pictures |
| ctrlnum |
(DE-627)870428365, (DE-576)478303297, (DE-599)GBV870428365, (OCoLC)962104086 |
| dewey-full |
759 |
| dewey-hundreds |
700 - The arts |
| dewey-ones |
759 - History, geographic treatment, biography |
| dewey-raw |
759 |
| dewey-search |
759 |
| dewey-sort |
3759 |
| dewey-tens |
750 - Painting and paintings |
| facet_avail |
Local |
| facet_local_del330 |
Malerei, Fotografie, z, Geschichte Anfänge-2014 |
| finc_class_facet |
Kunst und Kunstgeschichte |
| finc_id_str |
0018023592 |
| fincclass_txtF_mv |
finearts, photography |
| footnote |
Includes bibliographical references and index |
| format |
Book, StillImage |
| format_access_txtF_mv |
Book, E-Book |
| format_de14 |
Book, E-Book |
| format_de15 |
Book, E-Book |
| format_del152 |
Buch |
| format_detail_txtF_mv |
text-print-monograph-independent |
| format_dezi4 |
e-Book |
| format_finc |
Book, E-Book, Visual Media |
| format_legacy |
Book |
| format_legacy_nrw |
Book, E-Book |
| format_nrw |
Book, E-Book |
| format_strict_txtF_mv |
Book |
| geogr_code |
not assigned |
| geogr_code_person |
United Kingdom, USA |
| id |
0-870428365 |
| illustrated |
Not Illustrated |
| imprint |
London, Thames & Hudson, 2016 |
| imprint_str_mv |
London: Thames & Hudson, 2016 |
| institution |
DE-14, DE-Zi4, FID-MEDIEN-DE-15 |
| is_hierarchy_id |
|
| is_hierarchy_title |
|
| isbn |
0500239495, 9780500239490 |
| kxp_id_str |
870428365 |
| language |
English |
| last_indexed |
2024-04-04T06:22:28.075Z |
| local_heading_facet_dezwi2 |
Painting, Photography, Artistic, History, Malerei, Fotografie, z, Geschichte Anfänge-2014 |
| marc_error |
[geogr_code]Unable to make public java.lang.AbstractStringBuilder java.lang.AbstractStringBuilder.append(java.lang.String) accessible: module java.base does not "opens java.lang" to unnamed module @755e7cd3, Minor Error : Subfield tag is an invalid uppercase character, changing it to lower case. --- [ 689 : D ], Minor Error : Subfield tag is an invalid uppercase character, changing it to lower case. --- [ 689 : D ], Minor Error : Subfield tag is an invalid uppercase character, changing it to lower case. --- [ 689 : A ] |
| match_str |
hockney2016ahistoryofpicturesfromthecavetothecomputerscreen |
| mega_collection |
Verbunddaten SWB |
| names_id_str_mv |
(DE-588)118551760, (DE-627)079349587, (DE-576)161443648, (DE-588)138215146, (DE-627)600302288, (DE-576)174109679 |
| oclc_num |
962104086 |
| physical |
360 Seiten; Illustrationen; 29 cm |
| publishDate |
2016 |
| publishDateSort |
2016 |
| publishPlace |
London |
| publisher |
Thames & Hudson |
| record_format |
marcfinc |
| record_id |
478303297 |
| recordtype |
marcfinc |
| rvk_facet |
LH 70000 |
| rvk_label |
Allgemeines. Allgemeine Kunstgeschichte, Kunstgeschichte einzelner Gattungen der Kunst, Malerei, Allgemeine geschichtliche Darstellungen |
| rvk_path |
LH 70000, LH 10015 - LH 90260, LD,LH - LO, LH 67000 - LH 84995, LH 70000 - LH 70530 |
| rvk_path_str_mv |
LH 70000, LH 10015 - LH 90260, LD,LH - LO, LH 67000 - LH 84995, LH 70000 - LH 70530 |
| source_id |
0 |
| spelling |
Hockney, David 1937- VerfasserIn (DE-588)118551760 (DE-627)079349587 (DE-576)161443648 aut, A history of pictures from the cave to the computer screen David Hockney and Martin Gayford, London Thames & Hudson 2016, 360 Seiten Illustrationen 29 cm, Text txt rdacontent, unbewegtes Bild sti rdacontent, ohne Hilfsmittel zu benutzen n rdamedia, Band nc rdacarrier, Includes bibliographical references and index, The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. Two-thirds of it is irrevocably lost, since the earliest images known to us are from about 40,000 years ago. But what a 40,000 years, explored here by David Hockney and Martin Gayford in a brilliantly original book. They privilege no medium, or period, or style, but instead, in 16 chapters, discuss how and why pictures have been made, and insistently link 'art' to human skills and human needs. Each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the 'Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Why are optical projections always going to be more beautiful than HD television can ever be? How have the makers of images depicted movement? What makes marks on a flat surface interesting? Energized by two lifetimes of looking at pictures, combined with a great artist's 70-year experience of experimentation as he makes them, this profoundly moving and enlightening volume will be the art book of the decade, Introduction: Pictures, Art and History -- Pictures and Reality -- Making Marks -- Shadows and Deception -- Picturing Time and Space -- Brunelleschi's Mirror and Alberti's window -- Mirrors and Reflections -- Renaissance: Naturalism and Idealism -- Paper, Paint and Multiplying Pictures -- Painting the Stage and Staging Pictures -- Caravaggio and the Academy of the Lynx-Eyed -- Vermeer and Rembrandt: the Hand, the Lens and the Heart -- Truth and Beauty in the Age of Reason -- The Camera Before and After 1839 -- Photography, Truth and Painting -- Painting with and without Photography -- Snapshots and Moving Pictures -- Movies and Stills -- The Unending History of Pictures, Painting History, Photography, Artistic History, Painting, Photography, Artistic, s (DE-588)4037220-0 (DE-627)10623871X (DE-576)209022892 Malerei gnd, s (DE-588)4045895-7 (DE-627)104434880 (DE-576)209067160 Fotografie gnd, z gnd Geschichte Anfänge-2014, (DE-627), Gayford, Martin 1952- VerfasserIn (DE-588)138215146 (DE-627)600302288 (DE-576)174109679 aut, https://swbplus.bsz-bw.de/bsz478303297inh.htm B:DE-576;DE-14 application/pdf 20161107125301 Verlag Inhaltsverzeichnis, FID-MEDIEN-DE-15, DE-14 epn:3238593293 2016-10-18T07:55:05Z, DE-Zi4 epn:3238593617 2017-06-13T11:30:15Z |
| spellingShingle |
Hockney, David, Gayford, Martin, A history of pictures: from the cave to the computer screen, The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. Two-thirds of it is irrevocably lost, since the earliest images known to us are from about 40,000 years ago. But what a 40,000 years, explored here by David Hockney and Martin Gayford in a brilliantly original book. They privilege no medium, or period, or style, but instead, in 16 chapters, discuss how and why pictures have been made, and insistently link 'art' to human skills and human needs. Each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the 'Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting? Why are optical projections always going to be more beautiful than HD television can ever be? How have the makers of images depicted movement? What makes marks on a flat surface interesting? Energized by two lifetimes of looking at pictures, combined with a great artist's 70-year experience of experimentation as he makes them, this profoundly moving and enlightening volume will be the art book of the decade, Introduction: Pictures, Art and History -- Pictures and Reality -- Making Marks -- Shadows and Deception -- Picturing Time and Space -- Brunelleschi's Mirror and Alberti's window -- Mirrors and Reflections -- Renaissance: Naturalism and Idealism -- Paper, Paint and Multiplying Pictures -- Painting the Stage and Staging Pictures -- Caravaggio and the Academy of the Lynx-Eyed -- Vermeer and Rembrandt: the Hand, the Lens and the Heart -- Truth and Beauty in the Age of Reason -- The Camera Before and After 1839 -- Photography, Truth and Painting -- Painting with and without Photography -- Snapshots and Moving Pictures -- Movies and Stills -- The Unending History of Pictures, Painting History, Photography, Artistic History, Painting, Photography, Artistic, Malerei, Fotografie, z Geschichte Anfänge-2014 |
| swb_id_str |
478303297 |
| title |
A history of pictures: from the cave to the computer screen |
| title_auth |
A history of pictures from the cave to the computer screen |
| title_full |
A history of pictures from the cave to the computer screen David Hockney and Martin Gayford |
| title_fullStr |
A history of pictures from the cave to the computer screen David Hockney and Martin Gayford |
| title_full_unstemmed |
A history of pictures from the cave to the computer screen David Hockney and Martin Gayford |
| title_short |
A history of pictures |
| title_sort |
a history of pictures from the cave to the computer screen |
| title_sub |
from the cave to the computer screen |
| title_unstemmed |
A history of pictures: from the cave to the computer screen |
| topic |
Painting History, Photography, Artistic History, Painting, Photography, Artistic, Malerei, Fotografie, z Geschichte Anfänge-2014 |
| topic_facet |
Painting, Photography, Artistic, History, Malerei, Fotografie, z, Geschichte Anfänge-2014 |
| url |
https://swbplus.bsz-bw.de/bsz478303297inh.htm |
| work_keys_str_mv |
AT hockneydavid ahistoryofpicturesfromthecavetothecomputerscreen, AT gayfordmartin ahistoryofpicturesfromthecavetothecomputerscreen, AT hockneydavid historyofpicturesfromthecavetothecomputerscreen, AT gayfordmartin historyofpicturesfromthecavetothecomputerscreen |
