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Online-Ressource

The politics of appropriation: German romantic music and the ancient Greek legacy

Gespeichert in:

Personen und Körperschaften: Geary, Jason (VerfasserIn)
Titel: The politics of appropriation: German romantic music and the ancient Greek legacy/ Jason Geary
Format: E-Book Noten
Sprache: Englisch
veröffentlicht:
New York Oxford University Press 2014
Gesamtaufnahme: The new cultural history of music
Schlagwörter:
Dramatic music > History and criticism > 19th century > Germany
Greek drama (Tragedy) > Appreciation > Germany
Romantik
Oper
Rezeption
Griechisch
Tragödie
Deutschland
Verfügbar auch als: Druck-Ausgabe Geary, Jason, The politics of appropriation, New York, NY [u.a.] : Oxford University Press, 2014, X, 268 S.
Quelle: Verbunddaten SWB
Oxford E-Books
Zugangsinformationen: Elektronischer Volltext-Campuslizenz
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contents This text explores the intersection of music and Hellenism in 19th-century Germany. It shows how productions such as that of the Prussian court of Sophocles' Antigone with music by Felix Mendelssohn reflect an effort by the rulers who commissioned them to appropriate the legacy of Greece for the creation of a German cultural and national identity.
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spelling Geary, Jason VerfasserIn (DE-588)1051264316 (DE-627)785929150 (DE-576)406062633 aut, The politics of appropriation German romantic music and the ancient Greek legacy Jason Geary, New York Oxford University Press 2014, 1 online resource illustrations (black and white), music., Noten ntm rdacontent, Computermedien c rdamedia, Online-Ressource cr rdacarrier, The new cultural history of music, Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on February 28, 2014), This text explores the intersection of music and Hellenism in 19th-century Germany. It shows how productions such as that of the Prussian court of Sophocles' Antigone with music by Felix Mendelssohn reflect an effort by the rulers who commissioned them to appropriate the legacy of Greece for the creation of a German cultural and national identity., Dramatic music History and criticism 19th century Germany, Greek drama (Tragedy) Appreciation Germany, Romantik, Oper, Rezeption, Griechisch, Tragödie, Deutschland, g (DE-588)4011882-4 (DE-627)104704861 (DE-576)208896155 Deutschland gnd, s (DE-588)4280160-6 (DE-627)104380349 (DE-576)210758449 Schauspielmusik gnd, s (DE-588)4113791-7 (DE-627)105826847 (DE-576)20947937X Griechisch gnd, s (DE-588)4012899-4 (DE-627)104589787 (DE-576)208901043 Drama gnd, s (DE-588)4060591-7 (DE-627)106139029 (DE-576)209135840 Tragödie gnd, s (DE-588)4049716-1 (DE-627)104675152 (DE-576)209083182 Rezeption gnd, DE-101, 9780199736119, Erscheint auch als Druck-Ausgabe 9780199736119, Erscheint auch als Druck-Ausgabe Geary, Jason The politics of appropriation New York, NY [u.a.] : Oxford University Press, 2014 X, 268 S. (DE-627)744174643 (DE-576)457055901 9780199736119, http://dx.doi.org/10.1093/acprof:oso/9780199736119.001.0001 X:OXFORD Resolving-System lizenzpflichtig, http://dx.doi.org/10.1093/acprof:oso/9780199736119.001.0001 ILN: 736, ILN: 736 epn:3398418112 2021-04-04T00:55:45Z, http://dx.doi.org/10.1093/acprof:oso/9780199736119.001.0001 DE-14, DE-14 epn:3398417302 2018-12-07T12:47:15Z, http://dx.doi.org/10.1093/acprof:oso/9780199736119.001.0001 DE-15, DE-15 epn:3398417353 2018-12-10T08:57:53Z, http://dx.doi.org/10.1093/acprof:oso/9780199736119.001.0001 DE-Ch1, DE-Ch1 epn:339841740X 2018-12-07T12:47:15Z, DE-105 epn:3398417442 2019-01-29T15:13:40Z, http://dx.doi.org/10.1093/acprof:oso/9780199736119.001.0001 DE-Zwi2, DE-Zwi2 epn:3526886199 2019-10-24T11:49:57Z, http://dx.doi.org/10.1093/acprof:oso/9780199736119.001.0001 Zum Online-Dokument DE-Zi4, DE-Zi4 epn:3398417574 2018-12-11T15:53:32Z, http://dx.doi.org/10.1093/acprof:oso/9780199736119.001.0001 HTWK-Zugang DE-L189, DE-L189 epn:3398417639 2018-12-07T12:47:15Z, http://dx.doi.org/10.1093/acprof:oso/9780199736119.001.0001 DE-520, DE-520 epn:3398417728 2018-12-11T16:37:50Z, http://dx.doi.org/10.1093/acprof:oso/9780199736119.001.0001 DE-540, DE-540 epn:3398417795 2018-12-13T13:44:50Z, http://dx.doi.org/10.1093/acprof:oso/9780199736119.001.0001 DE-L242, DE-L242 epn:3398417868 2019-01-15T15:59:34Z, http://dx.doi.org/10.1093/acprof:oso/9780199736119.001.0001 Volltext-Zugang für registrierte Benutzer der Bibliothek DE-D117, DE-D117 epn:3398418325 2023-01-13T13:35:11Z, http://dx.doi.org/10.1093/acprof:oso/9780199736119.001.0001 Login für Zugang außerhalb des Hochschulnetzes DE-L152, DE-L152 epn:3398418473 2021-05-21T13:44:12Z, DE-105 epn:4462483200 2024-01-19T09:08:25Z
spellingShingle Geary, Jason, The politics of appropriation: German romantic music and the ancient Greek legacy, This text explores the intersection of music and Hellenism in 19th-century Germany. It shows how productions such as that of the Prussian court of Sophocles' Antigone with music by Felix Mendelssohn reflect an effort by the rulers who commissioned them to appropriate the legacy of Greece for the creation of a German cultural and national identity., Dramatic music History and criticism 19th century Germany, Greek drama (Tragedy) Appreciation Germany, Romantik, Oper, Rezeption, Griechisch, Tragödie, Deutschland, Schauspielmusik, Drama
swb_id_str 514945486
title The politics of appropriation: German romantic music and the ancient Greek legacy
title_auth The politics of appropriation German romantic music and the ancient Greek legacy
title_full The politics of appropriation German romantic music and the ancient Greek legacy Jason Geary
title_fullStr The politics of appropriation German romantic music and the ancient Greek legacy Jason Geary
title_full_unstemmed The politics of appropriation German romantic music and the ancient Greek legacy Jason Geary
title_short The politics of appropriation
title_sort the politics of appropriation german romantic music and the ancient greek legacy
title_sub German romantic music and the ancient Greek legacy
title_unstemmed The politics of appropriation: German romantic music and the ancient Greek legacy
topic Dramatic music History and criticism 19th century Germany, Greek drama (Tragedy) Appreciation Germany, Romantik, Oper, Rezeption, Griechisch, Tragödie, Deutschland, Schauspielmusik, Drama
topic_facet Dramatic music, Greek drama (Tragedy), Romantik, Oper, Rezeption, Griechisch, Tragödie, History and criticism, Appreciation, Deutschland, Schauspielmusik, Drama
url http://dx.doi.org/10.1093/acprof:oso/9780199736119.001.0001
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