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Online-Ressource

Redefining Hungarian music from Liszt to Bartók

Gespeichert in:

Personen und Körperschaften: Hooker, Lynn M. (VerfasserIn)
Titel: Redefining Hungarian music from Liszt to Bartók/ Lynn M. Hooker
Format: E-Book Noten
Sprache: Englisch
veröffentlicht:
New York Oxford University Press 2014
Schlagwörter:
Music > History and criticism > Hungary
Nationalism in music
Hungary > Civilization
Verfügbar auch als: Druck-Ausgabe Hooker, Lynn M., Redefining Hungarian music from Liszt to Bartók, Oxford [u.a.] : Oxford University Press, 2013, XVIII, 302 S.
Quelle: Verbunddaten SWB
Oxford E-Books
Zugangsinformationen: Elektronischer Volltext-Campuslizenz
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contents Some of the most popular works of 19th-century music were labelled either 'Hungarian' or 'Gypsy' in style, including many of the best-known and least-respected of Liszt's compositions. In the early 20th century, Bela Bartok and his colleagues questioned not only the Hungarianness but also the good taste of that style. Bartok argued that it should be discarded in favour of a national style based in the 'genuine' folk music of the rural peasantry.
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spelling Hooker, Lynn M. VerfasserIn (DE-588)1058584103 (DE-627)797142126 (DE-576)414741862 aut, Redefining Hungarian music from Liszt to Bartók Lynn M. Hooker, New York Oxford University Press 2014, 1 online resource illustrations (black and white), music, Noten ntm rdacontent, Computermedien c rdamedia, Online-Ressource cr rdacarrier, Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on November 5, 2013), Some of the most popular works of 19th-century music were labelled either 'Hungarian' or 'Gypsy' in style, including many of the best-known and least-respected of Liszt's compositions. In the early 20th century, Bela Bartok and his colleagues questioned not only the Hungarianness but also the good taste of that style. Bartok argued that it should be discarded in favour of a national style based in the 'genuine' folk music of the rural peasantry., Music History and criticism Hungary, Nationalism in music, Hungary Civilization, g (DE-588)4078541-5 (DE-627)104826150 (DE-576)209209097 Ungarn gnd, s (DE-588)4040802-4 (DE-627)104137754 (DE-576)209042346 Musik gnd, (DE-627), 9780199739592, Erscheint auch als Druck-Ausgabe 9780199739592, Erscheint auch als Druck-Ausgabe Hooker, Lynn M. Redefining Hungarian music from Liszt to Bartók Oxford [u.a.] : Oxford University Press, 2013 XVIII, 302 S. (DE-627)73606317X (DE-576)414555597 9780199739592, http://dx.doi.org/10.1093/acprof:oso/9780199739592.001.0001 X:OXFORD Resolving-System lizenzpflichtig, http://dx.doi.org/10.1093/acprof:oso/9780199739592.001.0001 ILN: 736, ILN: 736 epn:3398434762 2021-04-04T00:55:16Z, http://dx.doi.org/10.1093/acprof:oso/9780199739592.001.0001 DE-14, DE-14 epn:3398433952 2018-12-07T12:47:18Z, http://dx.doi.org/10.1093/acprof:oso/9780199739592.001.0001 DE-15, DE-15 epn:3398434010 2018-12-10T08:57:46Z, http://dx.doi.org/10.1093/acprof:oso/9780199739592.001.0001 DE-Ch1, DE-Ch1 epn:3398434045 2018-12-07T12:47:17Z, DE-105 epn:3398434126 2019-01-29T15:13:23Z, http://dx.doi.org/10.1093/acprof:oso/9780199739592.001.0001 DE-Zwi2, DE-Zwi2 epn:3526887489 2019-10-24T11:50:08Z, http://dx.doi.org/10.1093/acprof:oso/9780199739592.001.0001 Zum Online-Dokument DE-Zi4, DE-Zi4 epn:3398434231 2018-12-11T15:53:13Z, http://dx.doi.org/10.1093/acprof:oso/9780199739592.001.0001 HTWK-Zugang DE-L189, DE-L189 epn:3398434304 2018-12-07T12:47:18Z, http://dx.doi.org/10.1093/acprof:oso/9780199739592.001.0001 DE-520, DE-520 epn:3398434363 2018-12-11T16:37:26Z, http://dx.doi.org/10.1093/acprof:oso/9780199739592.001.0001 DE-540, DE-540 epn:3398434428 2018-12-13T13:44:31Z, http://dx.doi.org/10.1093/acprof:oso/9780199739592.001.0001 DE-L242, DE-L242 epn:3398434509 2019-01-15T15:59:14Z, http://dx.doi.org/10.1093/acprof:oso/9780199739592.001.0001 Volltext-Zugang für registrierte Benutzer der Bibliothek DE-D117, DE-D117 epn:3398434940 2023-01-13T13:32:24Z, http://dx.doi.org/10.1093/acprof:oso/9780199739592.001.0001 Login für Zugang außerhalb des Hochschulnetzes DE-L152, DE-L152 epn:3398435106 2023-01-05T09:57:17Z, DE-105 epn:4462483375 2024-01-19T09:08:37Z
spellingShingle Hooker, Lynn M., Redefining Hungarian music from Liszt to Bartók, Some of the most popular works of 19th-century music were labelled either 'Hungarian' or 'Gypsy' in style, including many of the best-known and least-respected of Liszt's compositions. In the early 20th century, Bela Bartok and his colleagues questioned not only the Hungarianness but also the good taste of that style. Bartok argued that it should be discarded in favour of a national style based in the 'genuine' folk music of the rural peasantry., Music History and criticism Hungary, Nationalism in music, Hungary Civilization, Ungarn, Musik
swb_id_str 514945613
title Redefining Hungarian music from Liszt to Bartók
title_auth Redefining Hungarian music from Liszt to Bartók
title_full Redefining Hungarian music from Liszt to Bartók Lynn M. Hooker
title_fullStr Redefining Hungarian music from Liszt to Bartók Lynn M. Hooker
title_full_unstemmed Redefining Hungarian music from Liszt to Bartók Lynn M. Hooker
title_short Redefining Hungarian music from Liszt to Bartók
title_sort redefining hungarian music from liszt to bartók
title_unstemmed Redefining Hungarian music from Liszt to Bartók
topic Music History and criticism Hungary, Nationalism in music, Hungary Civilization, Ungarn, Musik
topic_facet Music, Nationalism in music, History and criticism, Civilization, Ungarn, Musik
url http://dx.doi.org/10.1093/acprof:oso/9780199739592.001.0001
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